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Bobani Shop
Bobani Shop Music
presents:
ROLANDO SALGADO PALACIO
Solares and Montunos
Passage into the Unknown
Changüí
Video format mp4 / Duration 4:37 min / 182,5 MB
Instruments: Conga / Bongo / Timbal / Guiro
Performed by:
@lesstergozador (Conga)
@rolandosalgadopalacio (Bongo)
@jose_miguel0998 (Timbal)
@fabianreyesoficial (Guiro)
PRODUCT DESCRIPTION
The Changüí has its origin from the eastern part of the island of Cuba, originally from the rural areas, descending from the Nengón.
The way of playing of the Revé Orchestra is performed. With a simple but very melodic timbal. Congas and bongo are in constant conversation.
Instruments: Conga / Bongo / Timbal / Guiro
Performed by:
@lesstergozador (Conga)
@rolandosalgadopalacio (Bongo)
@jose_miguel0998 (Timbal)
@fabianreyesoficial (Guiro)
PRODUCT DESCRIPTION
The Changüí has its origin from the eastern part of the island of Cuba, originally from the rural areas, descending from the Nengón.
The way of playing of the Revé Orchestra is performed. With a simple but very melodic timbal. Congas and bongo are in constant conversation.
Danzón
Video format mp4 / Duration 4:01 min / 159,2 MB
Instruments: Conga / Timbal / Guiro
Performed by:
@rolandosalgadopalacio (Conga)
@fabianreyesoficial (Timbal)
@lesstergozador (Guiro)
PRODUCT DESCRIPTION
Danzón is a rhythm and a dance from Cuban, created by the composer Miguel Faílden from Matanzas and has its origin from another Cuban genre called Danza, a variation of Contradanza.
This Danzón is inspired by Silvio Solano and "Chiqui" Pérez. At that times they were innovative and showed a new melodic structure to the Danzón.
Instruments: Conga / Timbal / Guiro
Performed by:
@rolandosalgadopalacio (Conga)
@fabianreyesoficial (Timbal)
@lesstergozador (Guiro)
PRODUCT DESCRIPTION
Danzón is a rhythm and a dance from Cuban, created by the composer Miguel Faílden from Matanzas and has its origin from another Cuban genre called Danza, a variation of Contradanza.
This Danzón is inspired by Silvio Solano and "Chiqui" Pérez. At that times they were innovative and showed a new melodic structure to the Danzón.
La Original de Manzanillo
Video format mp4 / Duration 3:29 min / 138,2 MB
Instruments: Conga / Timbal / Guiro
Performed by:
@rolandosalgadopalacio (Conga)
@fabianreyesoficial (Timbal)
Yoel Mayor (Guiro)
PRODUCT DESCRIPTION
The Original Orchestra of Manzanillo was founded on December 21, 1963.
It was a group of young people from the Bartolomé Masó Secondary School and directed by Juvencio Guerrero and a group of workers. The first name was Los Traviesos.
The rhythm of the guiro and the scrolling timpani fans are shown. Keeping the bell of the traditional Charanga or Cha cha cha. A style with two congas with a peculiar structure by Silvio Solano is played.
This style was represented by the percussionists of Cha cha cha, like; Enrique Jorrín, Orestes Aragón, La Siglo XX and many other great groups of that time.
Instruments: Conga / Timbal / Guiro
Performed by:
@rolandosalgadopalacio (Conga)
@fabianreyesoficial (Timbal)
Yoel Mayor (Guiro)
PRODUCT DESCRIPTION
The Original Orchestra of Manzanillo was founded on December 21, 1963.
It was a group of young people from the Bartolomé Masó Secondary School and directed by Juvencio Guerrero and a group of workers. The first name was Los Traviesos.
The rhythm of the guiro and the scrolling timpani fans are shown. Keeping the bell of the traditional Charanga or Cha cha cha. A style with two congas with a peculiar structure by Silvio Solano is played.
This style was represented by the percussionists of Cha cha cha, like; Enrique Jorrín, Orestes Aragón, La Siglo XX and many other great groups of that time.
Son Montuno
Video format mp4 / Duration 1:58 min / 77,4 MB
Instruments: Conga / Bongo
Performed by:
@rolandosalgadopalacio (Bongo)
@lesstergozador (Conga)
PRODUCT DESCRIPTION
The Cuban Son has its origin in the eastern part of Cuba, arriving in Havana around 1909. One of the first popular Son groups created in Havana in 1916 was the Cuarteto Oriental, which in 1918 would become the Sexteto Habanero.
The conversations held by the bongo and congas without adversely affecting each other is performed.
Instruments: Conga / Bongo
Performed by:
@rolandosalgadopalacio (Bongo)
@lesstergozador (Conga)
PRODUCT DESCRIPTION
The Cuban Son has its origin in the eastern part of Cuba, arriving in Havana around 1909. One of the first popular Son groups created in Havana in 1916 was the Cuarteto Oriental, which in 1918 would become the Sexteto Habanero.
The conversations held by the bongo and congas without adversely affecting each other is performed.
Conjunto Chapotín
Video format mp4 / Duration 1:42 min / 67 MB
Instruments: Conga / Bongo / Maraca
Performed by:
@lesstergozador (Conga)
@rolandosalgadopalacio (Bongo)
@fabianreyesoficial (Maraca)
PRODUCT DESCRIPTION
Also called Chapotín y sus Estrellas. The ensemble was founded between 1950/1951, by the trumpeter Félix Chappottín, the pianist Luis Lilí Martínez Griñán, the singer Miguel Arcángel Cuní "Miguelito Cuní" and other members of Arsenio Rodríguez's group.
Rolando Salgado attests to the veracity of this style of playing since he was part of the Conjunto Chapotín.
Instruments: Conga / Bongo / Maraca
Performed by:
@lesstergozador (Conga)
@rolandosalgadopalacio (Bongo)
@fabianreyesoficial (Maraca)
PRODUCT DESCRIPTION
Also called Chapotín y sus Estrellas. The ensemble was founded between 1950/1951, by the trumpeter Félix Chappottín, the pianist Luis Lilí Martínez Griñán, the singer Miguel Arcángel Cuní "Miguelito Cuní" and other members of Arsenio Rodríguez's group.
Rolando Salgado attests to the veracity of this style of playing since he was part of the Conjunto Chapotín.
Estrellas de Chocolate
Video format mp4 / Duration 2:39 min / 104,1 MB
Instruments: Conga / Bongo / Bell / Maraca
Performed by:
@rolandosalgadopalacio (Conga)
@lesstergozador (Bongo & Bell)
@fabianreyesoficial (Maraca)
PRODUCT DESCRIPTION
It is a Cuban Son ensemble founded by conguero Félix “Chocolate” Alfonso in 1959. Their original line-up included Niño Rivera (cuban guitar), Agustín Cabrera (voice, guitar), David Palomares (piano), Armando Albertini “El Gorila” (trumpet), “Chino” León Lahera (main voice), Arístides Valmaseda (main voice), Filiberto Hernández (voice), Sergio de Cuba (double bass) and Pichi (bongo). Albertini and Palomares led the band, while Rivera was responsible for the arrangements.
The Guaracha style of Dominguito Cruz is performed. He incorporated three congas into the structure of the melody something that was not very usual at that time.
Instruments: Conga / Bongo / Bell / Maraca
Performed by:
@rolandosalgadopalacio (Conga)
@lesstergozador (Bongo & Bell)
@fabianreyesoficial (Maraca)
PRODUCT DESCRIPTION
It is a Cuban Son ensemble founded by conguero Félix “Chocolate” Alfonso in 1959. Their original line-up included Niño Rivera (cuban guitar), Agustín Cabrera (voice, guitar), David Palomares (piano), Armando Albertini “El Gorila” (trumpet), “Chino” León Lahera (main voice), Arístides Valmaseda (main voice), Filiberto Hernández (voice), Sergio de Cuba (double bass) and Pichi (bongo). Albertini and Palomares led the band, while Rivera was responsible for the arrangements.
The Guaracha style of Dominguito Cruz is performed. He incorporated three congas into the structure of the melody something that was not very usual at that time.
Changüí
14,99 €
Danzón
11,99 €
La Original de Manzanillo
11,99 €
Son Montuno
9,99 €
Conjunto Chapotín
9,99 €
Estrellas de Chocolate
9,99 €
Bembé
Video format mp4 / Duration 8:20 min / 331,2 MB
Instruments: Conga / Timbal / Bongo / Bell / Guiro
Performed by:
Special guest; Mandy Show (Conga)
@rolandosalgadopalacio (Conga & Bongo)
@jose_miguel0998 (Timbal)
@fabianreyesoficial (Bell)
@lesstergozador (Guiro)
PRODUCT DESCRIPTION
It is a party for the fun of the Orishas of the Yoruba Pantheon, in which various types of percussion instruments are played. Here the Habanero style is performed.
Mandy Show explains the secret of the bell in the Bembé and the rhythm of 12/8, the particular movements that it performs when playing the high conga are also perceived.
To enrich it a bit more, some Timba structures are added on the timbal, some bells and Rolando fuses it with melodies from the Changüí on the bongo.
Instruments: Conga / Timbal / Bongo / Bell / Guiro
Performed by:
Special guest; Mandy Show (Conga)
@rolandosalgadopalacio (Conga & Bongo)
@jose_miguel0998 (Timbal)
@fabianreyesoficial (Bell)
@lesstergozador (Guiro)
PRODUCT DESCRIPTION
It is a party for the fun of the Orishas of the Yoruba Pantheon, in which various types of percussion instruments are played. Here the Habanero style is performed.
Mandy Show explains the secret of the bell in the Bembé and the rhythm of 12/8, the particular movements that it performs when playing the high conga are also perceived.
To enrich it a bit more, some Timba structures are added on the timbal, some bells and Rolando fuses it with melodies from the Changüí on the bongo.
Pilón
Video format mp4 / Duration 3:56 min / 156,1 MB
Instruments: Conga / Timbal / Bell / Guiro
Performed by:
@rolandosalgadopalacio (Conga)
@jose_miguel0998 (Timbal)
@lesstergozador (Bell)
@fabianreyesoficial (Guiro)
PRODUCT DESCRIPTION
The Pilón rhythm arises during the 60s, the creator was Pacho Alonso. It takes its name from the rustic instrument where peasants grind coffee.
Rolando explains how played the Pilón Jesús Pérez, the two combinations that Manuel Cobas “Quenque” played with the congas are also performed.
Instruments: Conga / Timbal / Bell / Guiro
Performed by:
@rolandosalgadopalacio (Conga)
@jose_miguel0998 (Timbal)
@lesstergozador (Bell)
@fabianreyesoficial (Guiro)
PRODUCT DESCRIPTION
The Pilón rhythm arises during the 60s, the creator was Pacho Alonso. It takes its name from the rustic instrument where peasants grind coffee.
Rolando explains how played the Pilón Jesús Pérez, the two combinations that Manuel Cobas “Quenque” played with the congas are also performed.
Mozambique
Video format mp4 / Duration 8:22 min / 332,8 MB
Instruments: Conga / Bongo / Timbal / Bell
Performed by:
@rolandosalgadopalacio (Conga & Timbal)
@lesstergozador (Conga & Bongo)
@fabianreyesoficial (Timbal & Bell)
@jose_miguel0998 (Bell)
PRODUCT DESCRIPTION
Its author was Pedro Izquierdo Padrón "Pello el Afrokán", in 1963.
The structure of Mozambique with a bell making the rumba clave, together with a second bell making another rhythm, accompanied by some melodies on the timbal with Brazilian Samba notations is explained.
It performs two types of bass drums played on the timbal and “El Golpe de Leo” by Leo Moré, founder of “Pello el Afrokán”.
Rolando simplifies the interpretation with only two congas, which he has already done in groups such as the Afro-Cuban All Stars.
Instruments: Conga / Bongo / Timbal / Bell
Performed by:
@rolandosalgadopalacio (Conga & Timbal)
@lesstergozador (Conga & Bongo)
@fabianreyesoficial (Timbal & Bell)
@jose_miguel0998 (Bell)
PRODUCT DESCRIPTION
Its author was Pedro Izquierdo Padrón "Pello el Afrokán", in 1963.
The structure of Mozambique with a bell making the rumba clave, together with a second bell making another rhythm, accompanied by some melodies on the timbal with Brazilian Samba notations is explained.
It performs two types of bass drums played on the timbal and “El Golpe de Leo” by Leo Moré, founder of “Pello el Afrokán”.
Rolando simplifies the interpretation with only two congas, which he has already done in groups such as the Afro-Cuban All Stars.
Papa Cun Cun
Video format mp4 / Duration 2:17 min / 89,6 MB
Instruments: Conga / Timbal / Bell / Guiro
Performed by:
@lesstergozador (Conga)
@fabianreyesoficial (Timbal)
@jose_miguel0998 (Bell)
@rolandosalgadopalacio (Guiro)
PRODUCT DESCRIPTION
The Papa Cun Cun rhythm was created by Evaristo Aparicio “El Picaro”, founder of the Papa Cun Cun group, in the 70s. He was one of the great composers who contributed the most to the genre of folklore and rumba.
Rolando uses an adaptation in a single timbal, since in groups they are usually used with an added set drum.
Instruments: Conga / Timbal / Bell / Guiro
Performed by:
@lesstergozador (Conga)
@fabianreyesoficial (Timbal)
@jose_miguel0998 (Bell)
@rolandosalgadopalacio (Guiro)
PRODUCT DESCRIPTION
The Papa Cun Cun rhythm was created by Evaristo Aparicio “El Picaro”, founder of the Papa Cun Cun group, in the 70s. He was one of the great composers who contributed the most to the genre of folklore and rumba.
Rolando uses an adaptation in a single timbal, since in groups they are usually used with an added set drum.
Yécun
Video format mp4 / Duration 4:01 min / 159,5 MB
Instruments: Conga / Timbal / Bell / Maraca
Performed by:
@rolandosalgadopalacio (Conga)
@lesstergozador (Timbal)
@jose_miguel0998 (Bell)
@fabianreyesoficial (Maraca)
PRODUCT DESCRIPTION
The Yécun rhythm was created by Leo Moré, founder of the Tata Güines group and “Pello el Afrokán”.
Rhythm enriched by its melody, used by Leo in the Candombe a Color group. Rolando fuses it with a bit of Cha cha cha, from the creation of Jorge Alfonso “El Niño”, percussionist of the Irakere group.
The rumba clave is performed on the bell and the maracas are used as if they were a shekere.
Instruments: Conga / Timbal / Bell / Maraca
Performed by:
@rolandosalgadopalacio (Conga)
@lesstergozador (Timbal)
@jose_miguel0998 (Bell)
@fabianreyesoficial (Maraca)
PRODUCT DESCRIPTION
The Yécun rhythm was created by Leo Moré, founder of the Tata Güines group and “Pello el Afrokán”.
Rhythm enriched by its melody, used by Leo in the Candombe a Color group. Rolando fuses it with a bit of Cha cha cha, from the creation of Jorge Alfonso “El Niño”, percussionist of the Irakere group.
The rumba clave is performed on the bell and the maracas are used as if they were a shekere.
Guachá
Video format mp4 / Duration 2:46 min / 111,4 MB
Instruments: Conga / Timbal / Bell / Guiro
Performed by:
@rolandosalgadopalacio (tumbadoras)
@lesstergozador (Timbal)
@jose_miguel0998 (Bell)
@fabianreyesoficial (Guiro)
PRODUCT DESCRIPTION
The Guachá rhythm was created by Leo Moré, founder of the group Tata Güines and “Pello el Afrokán”.
Rolando simplifies the rhythm played by two percussionists, to just one. The shekere is replaced by maracas.
Instruments: Conga / Timbal / Bell / Guiro
Performed by:
@rolandosalgadopalacio (tumbadoras)
@lesstergozador (Timbal)
@jose_miguel0998 (Bell)
@fabianreyesoficial (Guiro)
PRODUCT DESCRIPTION
The Guachá rhythm was created by Leo Moré, founder of the group Tata Güines and “Pello el Afrokán”.
Rolando simplifies the rhythm played by two percussionists, to just one. The shekere is replaced by maracas.
Bembé
14,99 €
Pilón
9,99 €
Mozambique
11,99 €
Papa Cun Cun
14,99 €
Yécun
14,99 €
Guachá
14,99 €
Simalé
Video format mp4 / Duration 4:07 min / 163,4 MB
Instruments: Conga / Timbal / Snare / Guiro
Performed by:
@rolandosalgadopalacio (Conga)
@lesstergozador (Timbal)
@jose_miguel0998 (Snare)
@fabianreyesoficial (Guiro)
PRODUCT DESCRIPTION
The Simalé was created by the percussionists of Pacho Alonso's orchestra in the 60s.
It is performed in the congas with a normal Son Marcha, also fused with melodies of some Picadillos and some patterns of the Iyesa rhythm of the batá drums.
Guasón
Video format mp4 / Duration 3:37 min / 143,4 MB
Instruments: Conga / Timbal / Guiro / Maraca
Performed by:
@lesstergozador (Conga)
@jose_miguel0998 (Timbal)
@rolandosalgadopalacio (Guiro)
@fabianreyesoficial (Maraca)
PRODUCT DESCRIPTION
The Guasón rhythm was created in the 60s by the percussionists of the group Los Bocucos de Ibrahim Ferrer.
The melody of the güiro and the maracas played with one hand as if them were a shekere are analyzed. It is performed as in the time of Los Bocucos with two congas.
Instruments: Conga / Timbal / Guiro / Maraca
Performed by:
@lesstergozador (Conga)
@jose_miguel0998 (Timbal)
@rolandosalgadopalacio (Guiro)
@fabianreyesoficial (Maraca)
PRODUCT DESCRIPTION
The Guasón rhythm was created in the 60s by the percussionists of the group Los Bocucos de Ibrahim Ferrer.
The melody of the güiro and the maracas played with one hand as if them were a shekere are analyzed. It is performed as in the time of Los Bocucos with two congas.
Picadillo
Video format mp4 / Duration 12:29 min / 497 MB
Instruments: Conga / Clave
Performed by:
@rolandosalgadopalacio (Conga)
@lesstergozador (Clave)
PRODUCT DESCRIPTION
According to Enrique Lazaga, director of the Ritmo Oriental; ‹‹the Picadillo, was one of the specialties of the Yulo. It consists of a spontaneity within the "time in rhythm", while "Guatrapeo" is more rhythmic than Picadillo, based on the batá style.
El Picadillo has a fusion of Rumba, Mozambique, Pilón, Papa Cun Cun...
A pattern to be combined with three congas, with and without melodies is performed.
Study of two patterns made by Jorge Alfonso, with and without a clave, in the Irakere group, one of them fused with Cha cha cha and the Son clave.
Study of two separate and combined patterns, for use them in different types of genres, with great melodic richness.
Instruments: Conga / Clave
Performed by:
@rolandosalgadopalacio (Conga)
@lesstergozador (Clave)
PRODUCT DESCRIPTION
According to Enrique Lazaga, director of the Ritmo Oriental; ‹‹the Picadillo, was one of the specialties of the Yulo. It consists of a spontaneity within the "time in rhythm", while "Guatrapeo" is more rhythmic than Picadillo, based on the batá style.
El Picadillo has a fusion of Rumba, Mozambique, Pilón, Papa Cun Cun...
A pattern to be combined with three congas, with and without melodies is performed.
Study of two patterns made by Jorge Alfonso, with and without a clave, in the Irakere group, one of them fused with Cha cha cha and the Son clave.
Study of two separate and combined patterns, for use them in different types of genres, with great melodic richness.
Simalé
14,99 €
Guasón
14,99 €
Picadillo
14,99 €
Reyes 73
Video format mp4 / Duration 1:43 min / 67,6 MB
Instruments: Conga / Timbal / Guiro / Maraca
Performed by:
@rolandosalgadopalacio (Conga)
@jose_miguel0998 (Timbal)
@lesstergozador (Guiro)
@fabianreyesoficial (Maraca)
PRODUCT DESCRIPTION
Los Reyes 73 was a group that stood out in its time for differentiating itself from other groups, where they did not have full recognition for mixing Cuban rhythms with North Americans.
Founded by drummer Santiago Reyes in the 60s. One of its singers was José Valladares, also emblematic figures such as Ricardo Eddy Martínez and Miguel Ángel Rasalps “El Lele”, who had been the star singer of Los Van Van.
The beautiful melody that this rhythm has is performed. The shekere played in those times is replaced by maracas.
Instruments: Conga / Timbal / Guiro / Maraca
Performed by:
@rolandosalgadopalacio (Conga)
@jose_miguel0998 (Timbal)
@lesstergozador (Guiro)
@fabianreyesoficial (Maraca)
PRODUCT DESCRIPTION
Los Reyes 73 was a group that stood out in its time for differentiating itself from other groups, where they did not have full recognition for mixing Cuban rhythms with North Americans.
Founded by drummer Santiago Reyes in the 60s. One of its singers was José Valladares, also emblematic figures such as Ricardo Eddy Martínez and Miguel Ángel Rasalps “El Lele”, who had been the star singer of Los Van Van.
The beautiful melody that this rhythm has is performed. The shekere played in those times is replaced by maracas.
Rumbavana
Video format mp4 / Duration 7:38 min / 303,6 MB
Instruments: Conga / Timbal / Guiro / Bell / Maraca
Performed by:
@rolandosalgadopalacio (Conga)
@jose_miguel0998 (Timbal & Guiro)
@lesstergozador (Bell & Bamboo cane)
@fabianreyesoficial (Maraca)
Yoel Mayor (Guiro)
PRODUCT DESCRIPTION
The Rumbavana group was founded in 1955, by the director Ricardo Ferro. With the values of the Cuban ensembles of the decade of the 40s.
Two genres are studied; Bachata and Guaracha.
In the Bachata genre, the way to perform the bongo with a bell and a bamboo cane is studied.
The guiro plays the rhythm of the Cha cha cha and the maracas the melody of the Son Montuno.
In the Guaracha style, the timbal and a bell are added. The maracas change the melody of the Son Montuno for that of the Guaracha.
Instruments: Conga / Timbal / Guiro / Bell / Maraca
Performed by:
@rolandosalgadopalacio (Conga)
@jose_miguel0998 (Timbal & Guiro)
@lesstergozador (Bell & Bamboo cane)
@fabianreyesoficial (Maraca)
Yoel Mayor (Guiro)
PRODUCT DESCRIPTION
The Rumbavana group was founded in 1955, by the director Ricardo Ferro. With the values of the Cuban ensembles of the decade of the 40s.
Two genres are studied; Bachata and Guaracha.
In the Bachata genre, the way to perform the bongo with a bell and a bamboo cane is studied.
The guiro plays the rhythm of the Cha cha cha and the maracas the melody of the Son Montuno.
In the Guaracha style, the timbal and a bell are added. The maracas change the melody of the Son Montuno for that of the Guaracha.
Ritmo Oriental
Video format mp4 / Duration 5:41 min / 225,9 MB
Instruments: Conga / Timbal / Guiro
Performed by:
@rolandosalgadopalacio (Conga)
@lesstergozador (Timbal)
@fabianreyesoficial (Guiro)
PRODUCT DESCRIPTION
The Ritmo Oriental orchestra was a typical Cuban charanga created in 1956 by the musician Elio Revé from Guantanamo. With musicians like Enrique Lazaga,
Pedro Calvo Bravo, Tony Calá and David Calzado.
They evolved the way of playing the timbal.
The way of playing of Daniel Díaz (timbal), Enrique Lazaga (guiro) and Juan Claro Bravo (congas) is performed.
Around this time the well-known "Picadillos" by Juan Claro Bravo emerged.
Instruments: Conga / Timbal / Guiro
Performed by:
@rolandosalgadopalacio (Conga)
@lesstergozador (Timbal)
@fabianreyesoficial (Guiro)
PRODUCT DESCRIPTION
The Ritmo Oriental orchestra was a typical Cuban charanga created in 1956 by the musician Elio Revé from Guantanamo. With musicians like Enrique Lazaga,
Pedro Calvo Bravo, Tony Calá and David Calzado.
They evolved the way of playing the timbal.
The way of playing of Daniel Díaz (timbal), Enrique Lazaga (guiro) and Juan Claro Bravo (congas) is performed.
Around this time the well-known "Picadillos" by Juan Claro Bravo emerged.
Reyes 73
9,99 €
Rumbavana
11,99 €
Ritmo Oriental
11,99 €
Conga Santiaguera
Video format mp4 / Duration 6:20 min / 251,6 MB
Instruments: Conga / Timbal / Bell
Performed by:
@rolandosalgadopalacio (Conga & Bell)
@lesstergozador (Conga & Bell)
@fabianreyesoficial (Conga & Bell)
@jose_miguel0998 (Timbal)
Yoel Mayor (Bell)
PRODUCT DESCRIPTION
The Conga from Santiago is a carnival rhythm, “Comparsa”. It was created more than a century ago spontaneously with the development of the carnival itself.
Study for four bells, including the timbal bell.
Two ways of playing the bass drum are performed. The first one on time, which is keeping the strong time and the second one on “contra tiempo”.
Three patterns in the congas (bocú). A first conga, Fondo, a second, Pilón and a third conga also known as requinto or Caballito.
Instruments: Conga / Timbal / Bell
Performed by:
@rolandosalgadopalacio (Conga & Bell)
@lesstergozador (Conga & Bell)
@fabianreyesoficial (Conga & Bell)
@jose_miguel0998 (Timbal)
Yoel Mayor (Bell)
PRODUCT DESCRIPTION
The Conga from Santiago is a carnival rhythm, “Comparsa”. It was created more than a century ago spontaneously with the development of the carnival itself.
Study for four bells, including the timbal bell.
Two ways of playing the bass drum are performed. The first one on time, which is keeping the strong time and the second one on “contra tiempo”.
Three patterns in the congas (bocú). A first conga, Fondo, a second, Pilón and a third conga also known as requinto or Caballito.
Conga Manzanillera
Video format mp4 / Duration 4:53 min / 194,1 MB
Instruments: Conga / Timbal / Bell
Performed by:
@rolandosalgadopalacio (Timbal & Bell)
@lesstergozador (Conga & Bell)
@fabianreyesoficial (Conga & Bell)
@jose_miguel0998 (Bell)
Yoel Mayor (Bell)
PRODUCT DESCRIPTION
As in the Conga from Santiago, its beginnings were religious and its instruments were Bocúes (congas), a bell and a guiro.
The peculiarity of this rhythm is in the execution of the bells. As Rolando explains, one of the bells does the Rumba clave, a second one has to do with the Mozambique melodies and a third one with Brazilian Samba melodies.
Some melodies on the timbal and also three types of bass drums are performed.
Instruments: Conga / Timbal / Bell
Performed by:
@rolandosalgadopalacio (Timbal & Bell)
@lesstergozador (Conga & Bell)
@fabianreyesoficial (Conga & Bell)
@jose_miguel0998 (Bell)
Yoel Mayor (Bell)
PRODUCT DESCRIPTION
As in the Conga from Santiago, its beginnings were religious and its instruments were Bocúes (congas), a bell and a guiro.
The peculiarity of this rhythm is in the execution of the bells. As Rolando explains, one of the bells does the Rumba clave, a second one has to do with the Mozambique melodies and a third one with Brazilian Samba melodies.
Some melodies on the timbal and also three types of bass drums are performed.
Merecumbé
Video format mp4 / Duration 1:49 min / 71,5 MB
Instruments: Conga / Timbal / Bell
Performed by:
@rolandosalgadopalacio (Conga)
@lesstergozador (Conga)
@jose_miguel0998 (Timbal)
@fabianreyesoficial (Bell)
PRODUCT DESCRIPTION
The Merecumbé is a Colombian rhythm created by Francisco “Pacho” Galán, in the 50s, that combines Cumbia and Merengue.
Melodies of the Dominican “Tambura” with the conga are performed. Along with a bell and patterns of a Merensongo by the great musician José Luis Quintana “Changuito”.
Instruments: Conga / Timbal / Bell
Performed by:
@rolandosalgadopalacio (Conga)
@lesstergozador (Conga)
@jose_miguel0998 (Timbal)
@fabianreyesoficial (Bell)
PRODUCT DESCRIPTION
The Merecumbé is a Colombian rhythm created by Francisco “Pacho” Galán, in the 50s, that combines Cumbia and Merengue.
Melodies of the Dominican “Tambura” with the conga are performed. Along with a bell and patterns of a Merensongo by the great musician José Luis Quintana “Changuito”.
12/8
Video format mp4 / Duration 6:27 min / 256,5 MB
Instruments: Conga / Timbal / Bongo / Bell / Maraca
Performed by:
@rolandosalgadopalacio (Conga)
@fabianreyesoficial (Bongo & Bell)
@lesstergozador (Bongo & Maraca)
@jose_miguel0998 (Timbal)
PRODUCT DESCRIPTION
These rhythms emerged from the year 1800 in Havana and Matanzas, with rhythms like; Abakuá, Bembé 3 Shekeres, Toque de Guiro, Obaloge, Ñongo, Eleguá, Iyesá...
Four structures are studied, one of them by Jorge Alfonso "El Niño", with some batá drums melodies with congas performed, since in Cuban groups it is not usual to play 12/8 with batá drums.
Instruments: Conga / Timbal / Bongo / Bell / Maraca
Performed by:
@rolandosalgadopalacio (Conga)
@fabianreyesoficial (Bongo & Bell)
@lesstergozador (Bongo & Maraca)
@jose_miguel0998 (Timbal)
PRODUCT DESCRIPTION
These rhythms emerged from the year 1800 in Havana and Matanzas, with rhythms like; Abakuá, Bembé 3 Shekeres, Toque de Guiro, Obaloge, Ñongo, Eleguá, Iyesá...
Four structures are studied, one of them by Jorge Alfonso "El Niño", with some batá drums melodies with congas performed, since in Cuban groups it is not usual to play 12/8 with batá drums.
Latin Jazz
Video format mp4 / Duration 8:50 min / 350,9 MB
Instruments: Conga / Timbal / Bongo / Bell / Guiro
Performed by:
@lesstergozador (Conga)
@rolandosalgadopalacio (Bongo & Timbal)
@fabianreyesoficial (Bongo & Bell)
@jose_miguel0998 (Bongo & Guiro)
PRODUCT DESCRIPTION
Latin Jazz is a branch of Jazz with a fusion of Latin music rhythms, especially Cuban and Brazilian. Its conformation occurs in 1942 with Afro-Cuban Jazz.
Bongo patterns played by Rolando in groups such as Afro-Cuban All Stars, performed with the Rumba clave are studied.
A second bongo is also combined performing several melodies, a pattern on the congas with a beautiful Tumbao and on the timbal a structure by the great percussionist Rolando Piloto Álvarez.
Instruments: Conga / Timbal / Bongo / Bell / Guiro
Performed by:
@lesstergozador (Conga)
@rolandosalgadopalacio (Bongo & Timbal)
@fabianreyesoficial (Bongo & Bell)
@jose_miguel0998 (Bongo & Guiro)
PRODUCT DESCRIPTION
Latin Jazz is a branch of Jazz with a fusion of Latin music rhythms, especially Cuban and Brazilian. Its conformation occurs in 1942 with Afro-Cuban Jazz.
Bongo patterns played by Rolando in groups such as Afro-Cuban All Stars, performed with the Rumba clave are studied.
A second bongo is also combined performing several melodies, a pattern on the congas with a beautiful Tumbao and on the timbal a structure by the great percussionist Rolando Piloto Álvarez.
Timba
Video format mp4 / Duration 9:46 min / 388,3 MB
Instruments: Conga / Bongo / Timbal / Campana
Performed by:
@lesstergozador (Conga)
@fabianreyesoficial (Bongo & Campana)
@jose_miguel0998 (Timbal)
PRODUCT DESCRIPTION
The Timba emerged in the 90s. It identifies its own expressive form in the Cuban salsa. Some distinguishing traits are a strong Jazz foundation.
Rhythm consolidated at the end of the 80s by groups and musicians like; Van Van, Adalberto, Irakere, Revé, Dan Den, NG La Banda, Isaac, Paulo FG, Charanga Habanera, Manolito Simonet, Bamboleo.
The Timba is a Cuban rhythm, created from the younger generations and strongly structured with the Rumba Clave. Formed by structures of: Picadillo, Papa Cun Cun, Son, batá drums...
Structures in the bell, some hits on the snare and on the bass drum are performed. The rhythm of the bell is explained in the general part of the theme and in the explosive part, called “Bomba”.
Instruments: Conga / Bongo / Timbal / Campana
Performed by:
@lesstergozador (Conga)
@fabianreyesoficial (Bongo & Campana)
@jose_miguel0998 (Timbal)
PRODUCT DESCRIPTION
The Timba emerged in the 90s. It identifies its own expressive form in the Cuban salsa. Some distinguishing traits are a strong Jazz foundation.
Rhythm consolidated at the end of the 80s by groups and musicians like; Van Van, Adalberto, Irakere, Revé, Dan Den, NG La Banda, Isaac, Paulo FG, Charanga Habanera, Manolito Simonet, Bamboleo.
The Timba is a Cuban rhythm, created from the younger generations and strongly structured with the Rumba Clave. Formed by structures of: Picadillo, Papa Cun Cun, Son, batá drums...
Structures in the bell, some hits on the snare and on the bass drum are performed. The rhythm of the bell is explained in the general part of the theme and in the explosive part, called “Bomba”.
Conga Santiaguera
14,99 €
Conga Manzanillera
14,99 €
Merecumbé
14,99 €
12/8
11,99 €
Latin Jazz
14,99 €
Timba
11,99 €
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